What if TOS had 900% more central female characters?
(Since I don’t want to stretch your dashboards any more than I have already, I’ve written some thoughts about the characters and the process that went into making the graphics under the cut.)
VP: “Mr. President, you ready to move?”
POTUS: “Let’s do this thing. #LetsMove.”
Watch → http://go.wh.gov/P3QX3T
HAPPY INTERNATIONAL WOMEN’S DAY!!!
Amazing Babes by Eliza Sarlos
Don’t ever use the word ‘soul,’ if possible. Never quote dialogue you can summarize. Avoid describing crowd scenes but especially party scenes.
If you’re doing your job, the reader feels what you felt. You don’t have to tell the reader how to feel. No one likes to be told how to feel about something. And if you doubt that, just go ahead. Try and tell someone how to feel.
You want vivid writing. How do we get vivid writing? Verbs, first. Precise verbs. All of the action on the page, everything that happens, happens in the verbs. The passive voice needs gerunds to make anything happen. But too many gerunds together on the page makes for tinnitus: Running, sitting, speaking, laughing, inginginginging. No. Don’t do it. The verbs tell a reader whether something happened once or continually, what is in motion, what is at rest. Gerunds are lazy, you don’t have to make a decision and soon, everything is happening at the same time, pell-mell, chaos. Don’t do that. Also, bad verb choices mean adverbs. More often than not, you don’t need them. Did he run quickly or did he sprint? Did he walk slowly or did he stroll or saunter?
Alexander Chee reminisces about studying with Annie Dillard and shares her best writing advice. For the horse’s mouth, see Dillard herself on writing – a fine addition to our ongoing archive of notable wisdom on the craft. (via explore-blog)
"gerunds are lazy"
Amtrak has begun offering “writers’ residencies” to, well, writers – long roundtrip rides aboard Amtrak trains dedicated solely for the purpose of writing.
After New York City-based writer Jessica Gross took the first “test-run” residency, traveling from NYC to Chicago and back, Amtrak confirmed that it is indeed planning to turn the writers’ residencies into an established, long-term program, sending writers on trains throughout its network of routes.
First, let’s get it out of the way: The Wire is 100 percent on board with this idea. Pun intended, because we’re writers. We love writing, and we love trains, and we love them both together…
This is literally a dream come true to me.
From Rod Serling’s Wikipedia entry
i love this idea
Vintage knitting illustration “Holding the Line”.
"Polls show that 92% of Afghans have never heard of 9/11. They are presently fighting a war with no history, and no future."